Insightful Questions Comic Strips - Page 10
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Wally hands a piece of paper to Dilbert and says, "Be at the 'United Charity' kickoff tomorrow." While Dilbert reads the paper Wally says, "I hired a headless man to be our inspirational speaker." Wally, Sally and the Boss are seated and a headless man stands in front of them with a microphone, making a speech. The headless man says, ". . . and that's how 'United Charity' game me back my dignity. Any questions?" The Boss raises his hand and asks, "How do you show up on a headcount report?"
Dilbert, Alice and Wally sit around a conference table. Dilbert says, "As you know, I've been promoted to team leader." Alice asks, "Will you decide raises? Do you approve expenses? Do you fire people?" Dilbert answers "No" to all three questions. Dilbert says, "I'm a leader. Not a manager."
The Boss says to Dilbert, Alice and their co-workers, "Today we have a motivational speaker from the 'Discount Speakers Bureau.'" A slouching, unhappy man says, "You should, like, work harder . . . Otherwise you might get fired. Any questions?" Dilbert raises his hand and asks, "Would we get bonuses for working harder?" The speaker says, "This must be the slow class."
Dilbert arrives at home and says to Dogbert, "Today I distributed 36 copies of my business case to various managers for approval." Dilbert sits on the armrest of the couch and continues, "By my count, 20 are being misplaced, 6 managers will try to kill it for personal gain and 10 will come back with irrelevant questions." Dilbert says, "When I die I want to be buried, not cremated, so I can at least make ONE lasting impression on the earth." Dogbert says, "I was planning to mail your corpse to somebody I don't like."
Dilbert approaches a window labeled "Soul Check" where a clerk who looks like a demon is standing. He says to the clerk behind the window, "If it's okay, I'll hold onto my soul while I visit the accounting department." Dilbert is in the accounting department, talking to another demonlike clerk seated at a desk. Dilbert says, "I came to answer your questions about my expense report." The clerk replies, "Take a seat." Dilbert notices there are no seats, but only sharp, pointed stalagmites and stalactites in the cavelike room. He thinks to himself, "I don't like the way this is starting."
Dilbert sits at his desk with a telephone in his hand. A voice on the phone says, "Press 'One' for sales. Press 'Two' in a hopeless effort to get technical support." Dilbert presses "2." The voice on the phone continues, "Press 'One' for answers to questions you don't have. Press 'Two' if you're gullible and optimistic." Dilbert presses "2." The voice on the phone says, "Press 'Two' if you're willing to buy something just so you can talk to a human being . . ." Dilbert puts the phone on the desk and raises a mallet to strike it.
Alice sits at a conference table typing on a laptop. An older man with a beard sits next to her. The man says, "I used to write programs using punch cards . . . But I'd rather be fishing . . ." Alice grabs the man by his suspenders and shouts, "Look, you bearded road apple, if you answer one more of my questions with an irrelevant story I'll snap you into next week!!" The caption says, "Sometime next week . . ." Dilbert and Wally see a hole in the air with a man's legs hanging out of it. Wally says, "Looks like a hole in the space-time continuum." Dilbert asks, "Did you hear a snap?"
Dilbert tells Dogbert, "I bought a phone answering machine." Dogbert asks, "Was the phone asking you questions you couldn't answer on your own?" Dilbert says, "The hard part is thinking of a greeting message." Dilbert says into the answering machine, "Hi. This is Dilbert. I'm not here right now." Dilbert says, "Well, technically I am here 'now' . . ." Dilbert says, "But 'now' is a relative term, so use your best judgment in deciding whether I'm here." Dilbert says, "Hmm . . . That was actually a creative little message." Dogbert says, "Demonstrating, once again, that subtle difference between creativity and complex stupidity."
Dilbert stands next to an easel holding a pointer. He says, "This concludes my proposal to the executive committee. Any questions?" An executive replies, "No, I think most of us were thing about other things." The man continues, "But here's my impression of what you looked like giving the presentation." The man stands up and mocks Dilbert. He says, "Fuh fuh fuh . . ." Another exec says, "No, no, it was more like . . ." The man stands up, makes a funny face and says, "Fuh fuh fuh . . ." Dilbert arrives at home. Dogbert asks, "How did your presentation go?" Dilbert replies, "Don't ask." Dogbert says, "Fuh fuh. Don't ask. Fuh fuh . . ."
Dogbert stands at the front of the room and says, "Today's lesson is just for men . . . Lights please." Dogbert shows a slide that says, "Acting sensitive even when you're not." Dogbert says, "As males, we know that women can only tolerate us when we act phony." Dogbert continues, "This is what happens when a woman is subjected to honest male opinions." The slide shows a woman screaming. Dogbert continues, "Fortunately, even the most ridiculous lies can sound sensitive." The slide shows a man saying, "Nice hairdo." Dogbert continues, "And new research shows that women want EMPATHY in conversation, not male suggestions." Dogbert continues, "This discovery frees you to think about other things while they talk." Dogbert advances the slide projector. The slide shows a man saying to a woman, "Ooh . . . How sad," while he thinks, "Sports." Dogbert asks, "Questions?"